Across From Her

Across From Her captures the elegance of the unposed—the quiet magnetism of a subject not performing, just existing. The look she gives is not staged, but responsive. This is the kind of image that doesn’t shout, it simmers.

There’s a confidence in her stillness that feels distinctly modern: she is not trying to be seen, and yet she holds the frame. In an era saturated with self-performance, Across From Her feels like a refusal—a gesture of presence without demand. The scene recalls the golden hours of European cinema: warm, lush, and slightly out of reach. It evokes not a story, but a mood. A table set for something unsaid. A silence between glances.

As part of the Supermodel SS25 season, the image sits in quiet contrast to louder, more directional fashion work. Here, style is atmosphere. The palette is tactile—sun-warmed skin, glass, linen, the red canopy of a Parisian afternoon. Just far enough to wonder.